L’Apothéose was born in December 2015 like a space of celebration, reflection and experimentation for its members. From its beginnings, they wanted to take the historical interpretation to the highest level, maintaining clear ideas and joining all their knowledge to convey to the listener the emotional content and rhetoric of each composer. They receive the recognition of the public in each concert for its vigorousness and expression.
They have been the early music winner ensemble at “Circuitos FestClásica 2018”, 1st prize, Bärenreiter prize and Eeemerging prize at the international “Göttingen Händel Competition” 2017, 2nd prize at “Concours International de Musique Ancienne de Val de Loire” 2017 and 2nd prize at the “Förderpreis Alte Musik Saarland” 2016 in Saarbrücken.
Its interpreters have a solid classical and historicist academic training and have been part of ensembles such as the Capilla Real de Madrid, La Madrileña, Bachorchester Mainz, Insula Orchestra and the Spanish National Orchestra among others. As a group, they have received advice from Richard Egarr, Jana Semerádová, Claire Guimond, Kristin von der Goltz, Jesper Christensen, Alberto Martínez or Guillermo Peñalver.
Its chamber music repertoire ranges from the early baroque to the end of classicism, traveling through all the great European nations and their different styles.